Goth Chick News: Days of the Dead Chicago, Spring Edition

Goth Chick News: Days of the Dead Chicago, Spring Edition

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Days of the Dead Chicago

Fittingly, last week Black Gate photog Chris Z and I attended the Days of the Dead convention in Chicago for our thirteenth year. This is one of our favorite shows as the hotel venue is more intimate and less daunting than some of the mega-conventions, and the celebrities aren’t sequestered behind curtains unless guests pay. Though it is smaller and less frantic, it still attracts an interesting, albeit local crowd, and we never fail to meet memorable people.

Arriving a tad early from our respective day jobs, we kicked off this outing in our standard fashion. It stands to reason that upping our blood alcohol levels before wading in offers some measure of protection from the potential of infection that naturally comes with crowded hotel conference rooms – and it’s so much more fun than antibacterial.

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What Possessed You? — Part III

What Possessed You? — Part III

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Prey for the Devil (Lionsgate, October 28, 2022)

Prey for the Devil (2022) – Crave (Max)

Remember how The Hitchhiker’s Guide to the Galaxy‘s entire description of Earth is ‘mostly harmless’? Well, that’s how I’d describe this one. The director, Daniel Stamm, pumped new life into the genre with The Last Exorcism in 2010, but because this film is aiming for that tasty 13+ rating, most of its teeth have been removed.

That said, I liked the idea of the male-dominated world of the church being upended by a nun who has a gift for connecting with possessed patients, and the whole conceit of modern possession running so rampant that the Vatican has set up exorcism training centers is rather fun. Sister Ann is the ‘chosen nun’, stoically played by Jaqueline Byers, and the rest of the cast is great, with Colin Salmon and Ben Cross adding some gravitas to the whole shebang. Sister Ann has quite a few demons of her own to deal with, and it isn’t long before we realize that everything going on in the film is directly for her. There are no surprises here.

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Tor Doubles: #0: Keith Laumer’s The Other Sky and The House in November

Tor Doubles: #0: Keith Laumer’s The Other Sky and The House in November

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The Other Sky cover by Thomas Kidd
The House in November cover by Mike Embden

Between October and December of 1969, Keith Laumer’s novella The Seeds of Gonyl were published as a serial in the magazine Worlds of If. The story was published the following year in a hardcover by G.P. Putnam & Sons under the title The House in November, and in 1971 as a paperback by Berkley Medallion.

In 1981, Tor reprinted the novel as part of its “Jim Baen Presents” series, but, apparently deeming the novel too short, it paired it with Laumer’s story “The Further Sky,” which had originally be published in the December 1964 issue of Amazing Stories. That story had also undergone a name change and appeared as “The Other Sky” in various reprints, including its appearance with The House in November.

When Tor Books reprinted the volume in 1985, they included a shield on the cover identifying the book as a “Tor Double.” This book may possibly have been created as a dry run or proof of concept for the eventual Tor Double line.  The cover for The Other Sky was provided by Thomas Kidd and the cover for The House in November was provided by Mike Embden, although their credits are reversed on the copyright pages.

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A Lot of Camelot: The Bright Sword by Lev Grossman

A Lot of Camelot: The Bright Sword by Lev Grossman

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The Bright Sword (Viking, July 16, 2024)

With no disrespect to J.R.R Tolkien, the King Arthur legend is arguably the  inspiration of much post World War II medieval-based fantasy. You’ve got your out-of-nowhere claimant to the throne, a magic sword, court intrigue, some side stories, romance, sorcery, betrayal but yet a kind of redemption. All the key ingredients.

Sure, Game of Thrones was based on the very real English Wars of the Roses, particularly the also very real violence and death of key personages. But let’s look at the long literary tradition of Arthurian stories: sourced from Welsh mythology and grafted into 12th century British histories more based on fancy than fact, eventually becoming the  Chrétien de Troyes romances and subsequently Thomas Malory’s Le Morte d’Arthur. From multiple sources and variations we wind our way through Tennyson’s The Lady of Shallot which in turn inspires various associated fictions, not the least of which includes Mark Twain’s A Connecticut Yankee in King Arthur’s Court. 

Fast forward to T.H. White’s The Once and Future King and its adaption by Lerner and Loewe musical Camelot (“If ever I would leave you, it wouldn’t be in summer…”).  With the assassination of John F. Kennedy, Camelot became a metaphor for “a shining moment” intervened by fate to extinguish, that nonetheless, like the Christ-like resurrection grafted on to the Arthurian mythos, may inspire future generations. (Only a cynic would make comparisons between Guenevere’s infidelity and Kennedy’s.)

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To Save Your Sanity, Take Stephen Leacock’s Nonsense Novels and Call Me in the Morning (or, Why Are Canadians Funny?)

To Save Your Sanity, Take Stephen Leacock’s Nonsense Novels and Call Me in the Morning (or, Why Are Canadians Funny?)

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You need a good laugh right now. How do I know this? I know this because I need a good laugh right now. Everyone I know needs a good laugh right now, so it stands to reason that you need one too, doesn’t it?

So… where to go for that much-needed laugh? Well, there are standup specials on Netflix and the other streamers, you’ve got SNL, there are the many late-night topical jokemeisters — all the usual suspects. Now if that stuff really makes you feel better, more power to you; there’s so much of it available these days, you’re in the enviable position of being a kid locked in a candy factory. For me, though, none of those folks can talk for two minutes without referring to you-know-who who lives you-know-where and is up to you-know-what, and I’m sorry, but all that usually ends up making me feel worse.

To maintain minimal sanity, sometimes what I need most is something that will take me to a place that Thomas Hardy (who briefly hosted the Tonight Show after Conan O’Brien was fired) called “far from the madding crowd.” I don’t want something that’s out to earn my approval because it’s correct; I want something that’s out to make me laugh because it’s funny.

Fortunately, several years ago, I found a fabulous device that accomplishes just that. It’s called… are you ready for this? It’s called a book. And that’s not the half of it. It was written by a fellow named Stephen Leacock, and this guy was… I can’t believe I’m saying this… he was… a Canadian.

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Hidden Gods, Cryptids, and Swamp Monsters: March-April Science Fiction Magazines

Hidden Gods, Cryptids, and Swamp Monsters: March-April Science Fiction Magazines

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March-April 2025 issues of Analog Science Fiction & Fact
and Asimov’s Science Fiction. Cover art by Shutterstock

The big news this month is that all three print science fiction magazines, as well as the mystery magazines owned by Penny Press, have been sold to a new buyer, a consortium of fans who have have ambitions to maintain and grow all five. Here’s an excerpt from the announcement at Locus Online.

Alfred Hitchcock’s Mystery Magazine, Analog Science Fiction and Fact, Asimov’s Science Fiction, Ellery Queen Mystery Magazine, and The Magazine of Fantasy & Science Fiction have been acquired by Must Read Magazines, a division of a new publishing company, Must Read Books Publishing. All editorial staff from the magazines have been retained in the acquisitions… Must Read Magazines is financially backed by a small group of genre fiction fans. A major investor and board advisor is Michael Khandelwal, the founder of a writing nonprofit and Virginia’s Mars Con toastmaster.

Read all the details, including quotes from Asimov’s editor Sheila Williams, Analog editor Trevor Quachri, and F&SF publisher Gordon Van Gelder, at Locus Online.

Tentatively, I’m willing to believe this is Good News. It makes sense to have all five magazines under one roof, and the recent collapse of F&SF‘s publishing schedule (only one magazine shipped last year) seemed to auger its imminent demise. Though change is rarely good with magazines, and Dell Magazines/Penny Press has been a stalwart home for Asimov’s and Analog for over three decades, since 1992, keeping the magazines healthy and alive through decades of turmoil in the magazine business.

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Six Things I Think I Think: March 2025

Six Things I Think I Think: March 2025

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Readers of my weekly column (both of you) know that I quite enjoying giving my opinion on a wide range of topics. I’ll cut the normal ten down to six this time, but it’s been two months since I’ve expounded thus. And that’s at least one month too long, right? So…

So, I think that:

1) DAREDEVIL IS EXCELLENT

I didn’t like the Ben Affleck Daredevil movie back in 2003. Or the associated 2005 Elektra movie with Jennifer Garner. And a blind, lawyer, vigilante, just didn’t appeal to me. I’d never read any of the comics, so no nostalgia tie, either.

I skipped the three-season streaming series which dropped back in 2015. And after trying a couple episodes of Jennifer Jones, I passed on the whole The Defenders thing.

For some reason, I decided to watch the first episode of the new reboot, Daredevil: Reborn. Don’t know why, but I did. And man, it was terrific!!! I did the three episodes which had dropped, and I was hooked. I went back and just finished watching season one of the original series. Wow! I’ve started season two.

This show is darker than what I like to watch. And the lighting and visual tone reflects the emotional vibe. Which is in tune with a blind vigilante, I guess. But this is one of my favorite Marvel streaming series (no timeline nonsense probably helps).

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Sword & Sorcery on a Post-Apocalyptic Earth: Blackmark by Gil Kane

Sword & Sorcery on a Post-Apocalyptic Earth: Blackmark by Gil Kane

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Blackmark by Archie Goodwin and Gil Kane (Bantam Books, January 1971). Cover by Gil Kane

As I’ve mentioned before, I didn’t grow up with comics. They weren’t available in my small, rural town of Charleston, Arkansas in the 1960s and 70s. The first store to carry them appeared around ’74 and had a small spinner rack with a dozen or so titles. By then I was already reading regular books and the comics, while they had interesting art, had much less story than books. I bought a few but never got hooked and knew virtually nothing about any comics creator.

As an adult in my fifties, I watched a movie called The Watchmen, which was very good, and I bought the original graphic novel by Alan Moore. I was blown away by the complex storytelling and started buying other graphic novels. I finally started to learn about some of the great comic book creators over the years. I still don’t consider myself a comic book reader but I keep an eye out for items that might interest me. That’s how, in 2019, I found a cool little book called Blackmark, “by Gil Kane.”

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What Possessed You? — Part II

What Possessed You? — Part II

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The Vatican Tapes (Lionsgate, July 24, 2015)

The Vatican Tapes (2015) – Prime

Imagine my excitement when I read that Mark Nelvedine (The Crank movies, Ghost Rider: Spirit of Vengeance, Gamer) had made an exorcism flick. This was bound to be bonkers!

Oh, foolish lamb that I am.

This limp rag of a horror film had all the bite of a blob fish, and half the appeal. In order to hit that sweet PG-13 demographic, the film has been neutered to such an extent that it was virtually blood-free. Any onscreen nastiness takes place with the victim’s back to the camera, and none of it is helped by illogical editing choices.

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Tor Doubles: An Overview

Tor Doubles: An Overview

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Tor Doubles

In October of 1988, Tor Books released the first Tor Double, a volume that reprinted Arthur C. Clarke’s 1971 novella Meeting with Medusa with Kim Stanley Robinson’s novella Green Mars. Over the next thirty-five months, they would publish a total of thirty-six books in the series.

In general, there was little to link the two short stories that were published in each volume, although in 1990, Tor experimented with the publication of four Tor Doubles that included a classic story, by authors including C.L. Moore, L. Sprague de Camp, Leigh Brackett, and Roger Zelazny, with original stories that were set in the same world. The following year would see addition original stories published in the series.

Similarly, most of the volumes contained stories by two different authors, however four of the books published in 1991 were single author collections, with two stories each by Gordon R. Dickson, Mike Resnick, Damon Knight, and Fritz Leiber.

Modeled after the Ace Doubles series, the books were initially published in a dos-a-dos format, with each story getting its own cover and bound upside down in relation to the other book, so neither story was first (although the presence of an ISBN code on one side had a tendency to make it feel like the “back” of the book). The four volumes that included sequels were published with a single cover and beginning with volume 27, which included Orson Scott Card’s Eye for Eye and Lloyd Biggle, Jr.’s The Tunesmith, all the volumes were published in the more traditional format.

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